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SWEENEY TODD

by Stephen Sondheim & Hugh Wheeler

at Columbia University

Direction by Miles Sternfeld

Music Direction by Lena Gabrielle

Scenic Design by Brendan Gonzalez Boston

Costume Design by Josh Oberlander

Lighting Design by Shane Hennessy

Sound Design by Julian Evans

Projection Design by Etzu Shaw

Props Design by Trey Blevins

SFX/Blood Design by Steven Tolin

Hair/Makeup Design by Conor Donnelly

Associate Directed by Denis Lambert

Produced by Tatum Ludlam

Cast: Jonathan Grunert (Sweeney Todd), Julia Meadows (Mrs. Lovett), Diego Millan (Anthony), Josslyn Shaw (Johanna), George Sopko (Judge Turpin), Jack Kotanen (Tobias)
Marie Anello (Beggar Woman), Peter Sullivan (Beadle Bamford), Pasqualino Beltempo (Adolfo Pirelli); Ensemble: Ryan John, Evan Blackwell, Allicia Lawson, Izaya Perrier, Hannah Kulawiak, Colin Ring, Anna Kirkland, David William Klak, Adam White, Tara Halpern, Sadie Spivey; Swings: Brianna Barnhart, Will Paddock

DIRECTOR'S NOTE

I’ve long regarded Sweeney Todd as one of my favorite musicals. I chose to divert from the big, melodramatic approach and take a more forensic, sober look at the story – an autopsy on American violence. What makes someone become a psychopathic serial killer and why is America culturally saturated with true crime? Our team set the production in a fictitious Middle American city, utilizing a melange of American dialects rather than British, during the height of the American serial killer sprees of the 1980s. As the crime scene of Sweeney Todd unfolded like a true crime documentary, reporters, investigators, and media outlets collected their findings to psychoanalyze the demon barber of Fleet Street. Conceptual research and inspiration included Night Stalker, Dahmer, Keep Sweet Pray & Obey, Saw, and Joker.

Show photography by Grace Copeland

© 2025 by Miles Sternfeld.

Portrait Headshots by Stephen K Mack

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